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A university paper writing service can provide you with multiple benefits. For one, they will write my essay paper for you within the time frame you set. This allows you to focus on other activities....
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ConcurrentHashMap provides a Map implementation with thread-safe read and write operations.
The Map and ConcurrentMap interfaces provide methods that ConcurrentHashMap takes advantage of to provide thread-safe interactions. Generally, I tend to solely really on the Map interface as it provides most of the same methods that ConcurrentMap has; however, depending on your use case, it might be beneficial to check out the ConcurrentMap methods yourself.
Looking for typography inspiration for your next or future web design projects? We’ve rounded up some of the most creative and award-winning examples of typography usage in these websites that follow. Take a look and see what ideas they bring!
This week Marie and Chris get together to chat about what’s been hot hot hot on CodePen lately. We’ve discovered there is a really taking to the creamy cardstock look, for one thing. Typography is always great, but we’re seeing more typographic trickery often including variable fonts. While not new, there are still loads of really wonderfully creative Pens using Three.js and p5.js. Neon-on-dark is a fresh look. We get into those and more, a bit sneakily as we can take an internal look at what the Top 100 might look like this year, but we can’t share those details too early!
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Ah, writing chats. So simple yet so complex. Yes, writing chats — as in coding them, not chatting (though that might prove to be problematic too, but that’s a whole different problem). If you’re looking for a step-by-step tutorial on implementing the backend for a basic multichannel chat, read on.
So let’s dive into the technicalities. To give you some more details, the service will be implemented as a mix of a simple REST API and a Web Socket app. To make this more interesting, I decided to use Akka-related libraries and typed actors in as many numbers as possible.
Do you remember what it was like to use WordPress 5.0? Three years and ten major releases have radically changed the site building experience, but it’s not always easy to see recognize when focused on some of the smaller, iterative changes that slowly add up. Anne McCarthy, WordPress product liaison at Automattic and co-release coordinator for 6.0, has created a short 13-minute video that shows the immense amount of progress contributors have made on site building features.
McCarthy takes viewers back in time to WordPress 5.0, released in December 2018, which introduced the block editor and the Twenty Nineteen default theme through the work of 400+ contributors. She demonstrates using the Customizer with the default theme. These were simpler days and it’s clear now how limited the Customizer was for implementing the most basic changes.
The video contrasts that experience with the upcoming 6.0 release, which features the work of 500+ contributors on features that didn’t exist three years ago.
McCarthy quickly demonstrates the 6.0 site editing experience, swapping out template parts, and showcasing the breadth of the customization available for images, colors, typography, controlling the posts that are displayed, style variations, and the impressive array of design tools available.
Ten major versions later, nearly every Aspect of a WordPress site is customizable through the site editor. For those who have not yet made the leap into full-site editing – it’s essentially like the old Customizer but with super powers, better instant previews, and the interface is a panel on the right. At this point, I don’t think the usability is at a level where someone can just get in there and immediately know what they are doing. It takes a little bit of exploring, but it’s moving in the right direction.
Videos like this one show what is possible and just how far WordPress has come since it first introduced the block editor. It also indirectly answers Joost de Valk’s recent claims that the full-site editing project not being done yet is partially to blame for WordPress’ recent decline in market share.
While WordPress remains the uncontested market leader among CMS’s, some say this small percentage of a decline is inconsequential. Matt Mullenweg has stated in previous interviews that he views market share stats as a “trailing indicator” in the quest to create the best possible experience for users and developers. A growing market share, in that sense, is a signal of user satisfaction.
WordPress jumped into the block paradigm at the right time, just as many other apps began adopting the concept of composable blocks for creating content and designs. Full-site editing is the extension of that vision but it takes time to make it something polished and delightful to use. McCarthy’s video is a good reminder of the limitations that users previously labored under while trying to edit their sites, and the “why” behind all the effort going into FSE.
“As someone who’s currently on the WordPress 6.0 Release Team, I can attest that the project needs more contributors,” WordPress contributor Nick Diego said in response to the recent market share discussion. “The fact that FSE has taken so long is not a lack of effort. There are many contributors pouring their hearts and souls into the project. We just need more help.”
Graphic design provides visual communication and expression of concepts and ideas using graphic tools and elements. It incorporates copywriting tools as graphic design is employed in the process of writing advertising promotional materials. In graphic design, copywriters help create web page content, online ads and other online content related to the web in question. Image...
The post 5 Copywriting Tools for Graphic Designers 2022 appeared first on DesignrFix.
Every now and then, I find that I’ve accumulated a bunch of links about various things I find interesting. Typography is one of those things! Here’s a list of typography links to other articles that I’ve been saving up and think are worth sharing.
max-width: 69ch to your blog content blocks.” Nice. Oliver Schöndorfer dug into line length recently too. line-height for both body copy and headers in one swoop.clamp() stuff from Andy’s Consistent, Fluidly Scaling Type and Spacing. Adrian’s helps you visualize the “curve”, but actually this Fluid Type Scale Calculator from Aleksandr Hovhannisyan might be a smidge more useful when setting up a new project as it gives you a full spectrum of custom properties to use. Do you have any interesting typography links from the past month worth sharing? Drop ’em in the comments!
8 Interesting Typography Links for January 2022 originally published on CSS-Tricks. You should get the newsletter and become a supporter.
The trickiest part in writing an essay is how to avoid plagiarism. You may be passing somebody else’s work as your own in your paper and not even know about it. However, such carelessly done...
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Mary Dyson produces nitty gritty research on the long-accepted notion that shorter line lengths are more legible than longer ones. The study finds that shorter lines do not necessarily lead to faster reading. If you’re looking for a definitive answer to use in your next design review debate, though, no dice. The big finding is that long lines don’t slow things down as much as previously thought, not that they’re better or worse.
But there’s so much more meat in here that I found much more interesting, mostly because I’m largely ignorant on the topic and gained a dollop of context on writing, legibility, and behavior.
Things like…
It’s return sweeps. You know, like your eye hits the Return key at the end of the line and sweeps to the start of the next line. Then, there are undershoots. The idea is that eyes may not sweep to the exact start of the next line, instead stopping a bit short.
Those little rapid eye movements between words and phrases? Those are called saccades. I had to look that up.
The previous research we’ve relied on for years comes from 1940(!), a time when we obviously were more concerned with paper pages than bright digital displays. Longer lines, it said, increased the likelihood that eyes undershoot during a return sweep, and undershooting results in a regression that results in a 130ms to 250ms delay where the brain needs to get its bearings. The report refers to that as undersweep-fixation.
This report cites a 2019 study that tried to correct undershoots by bolding the first word at the start of each new line, sort of like an anchor that naturally draws the eye closer to the left margin.
The 2019 study did find that the bolded words did decrease undershot return sweeps But despite that, reading speed did not improve. That’s the impetus for challenging the long-held assumption that shorter is better.
Mary explains further:
In seeking to reconcile why longer line lengths may not slow down reading on screen but do so when reading print, I outlined some differences, e.g. visual angle, time spent scrolling. But although physical differences between reading from screen and reading print still exist, we now have direct evidence to explain why longer lines were read at least as fast as shorter lines. Readers can process words during the brief fixation when undershooting the start of the new line. This saves time in subsequent processing. Now we might also acknowledge that there is greater consistency between the range of optimal line lengths for print and screen.
Well, nowhere closer to a clear answer we can use in our day-to-day work. But it’s good to dust off our collection of design and copywriting best practices and know that line length is less of a constraint than perhaps it has been.
Again, none of this tells us whether long or short lines are better. Mary ends her report by saying she cannot definitely recommend using longer lines of text because there are clear because there are still some factors at play, including:
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Blogs can be an excellent way for you to share what you know about one of your passions. There is always room in the digital space for a new opinion and viewpoint about a topic....
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Mac and iOS also come with Helvetica Neue preinstalled. It addresses some of Helvetica’s legibility issues … On Windows, you might find a more modern version of Arial called Arial Nova. Arial Nova makes much the same legibility improvements and compromises as Helvetica Neue.
Repeat your font choices as often as you can, and only when something does not work in a given situation, add a new style.
[…] is a sans serif typeface with two optical sizes. The small optical size works for text. The large optical size revives the tone of the 1970s headlines.I see Riley is using the pricing model based on # of employees rather than pageviews which I love.
Among my favorite kinds of typefaces are those that don’t fit neatly into predefined or existing categories; those that dip their toes into more than one genre, or take their cues from disparate historical periods.
If you spend all day looking at code, letters, and characters—why not make it fun?I’m down.
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This post is originally published on Designmodo: Font Psychology: Here’s Everything You Need to Know About Fonts
There are over half a million fonts in the world. While most of the web is built upon a handful of popular font types, there’s lots of room to pick a unique path. Since fonts are also visual elements, you …
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Every letter in this “font” by Davor Suljic is a single div and drawn only with border. That means employing some trickery like border-radius with exotic syntax like border-radius: 100% 100% 0 0 / 37.5% 37.5% 0 0; which rounds just the top of an element with a certain chillness that works here. Plus, using pseudo-elements. I love all the wacky variations with colors, shadows, and border styles, leaning into the limits of CSS.
Drawing things with CSS has long fascinated people. Icons are a popular choice (famously, Nicolas Gallagher’s Pure CSS GUI icons from 2010), since we can draw so many shapes with CSS without even needing to lean on the all-powerful clip-path.
But as Lynn Fisher has taught us, a single div is barely a limitation at all.
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font: medium monospace renders at 13px where font: medium sans-serif renders at 16px particularly weird.line-height, you probably shouldn’t be setting a hard number anyway.font-display, that means if we set things up such that font loading shifts the page, that’s bad. I like Simon Hearne’s suggestion that we tweak both our custom font and fallback font to match perfectly. I think perfect fallback fonts are one of the best CSS tricks.The post Some Typography Blog Posts I’ve Bookmarked and Read Lately appeared first on CSS-Tricks.
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Gutenberg 9.4.0 was released this week with many small improvements to existing features, while work on full site editing continues. This release will not be included in the upcoming WordPress 5.6 release but those who are using the Gutenberg plugin will have access to the improvements right away.
The button block now has a width selector, which allows the user to set the button to 25%, 50%, 75%, or 100% of the parent container. By default, a button’s width is determined by the size of its content. If you like bigger buttons, this update will give you more flexibility. Button margins are also included in the width calculations, so users can create multiple buttons in a row, or a grid of buttons, and have them properly fit together and aligned.
Making a button is easier than it has ever been before. Gone are the days of using shortcodes or hunting for the correct CSS class to apply in order to match the theme. Button creation used to be so needlessly difficult with a fragmented, unfriendly workflow, but the block editor continues to chip away at the complexity with each new release.
Version 9.4 also introduces typography controls for the list block. Gutenberg contributors have been discussing adding color and text size customizations to all text-based blocks since 2018, and the list block is finally getting some font size controls.
Social icons can also be resized now. Users can select from several preset sizes, including small, normal, large, and huge.
The 9.4 update adds support for <kbd> tags with a new button in the overflow rich text menu. These tags are useful for displaying content in the browser’s default monospace font, which helps when writing documentation or articles with inline code.
This release lays the groundwork for handling block variation transformations. Block variations are essentially the same block with registered variations that appear as a separate block in the block inserter. For example, the navigation block has horizontal and vertical variations. The editor now introduces a transform option for the scope field in block variations, so developers can control how to handle these transformations.
Enhancements in this release add polish to many Aspects of the UI, including the inserter search, custom select menu styles, the link interface, Search block styling, shortcode block styling, and reduces the UI on hover (an optional setting in preferences).
One handy new feature for writing is that users can now add a header by typing /h1 to /h6 followed by enter/return. While I like the idea of this, it seems unintuitive to have to use enter/return to change the block to a header. This feature would be easier to remember if it mimicked the existing feature that allows users to add a header by typing ### followed by a space. Changing the trigger action to a space instead of a return would make more sense here.
Version 9.4 also includes a great deal of progress behind the scenes on experiments, including the full site editing framework, FSE blocks, the site editor, and global styles. Check out the changelog for a full list of bug fixes and enhancements.
Bees360, deep learning, and drone technology company, has released an underwriting platform API. Bees360 applies its technology specifically to property underwriting and claim inspections industry, and the API is meant to streamline underwriting efforts based on a carrier’s needs.